We went out to the garden after the last waltz and he asked me to marry him. He really thought I’d say yes. And I might have done. It was this time of year. If he’d asked in spring probably I would have said yes. But it was fall, and I thought how there were so many things I could do, and so little time; and if I married him that would be part of all the rest of my time, would change what I could do, make some things real and cut some things off; and how could I be sure that was what I wanted? For all my life? And I did want it, and that made me afraid. I just stood there and looked away from him, because I couldn’t stand looking at him. If he had just asked again, tried harder, or if he had started to leave—but he didn’t, he stood there and looked at me, and he asked what was wrong, and I told him.
And then he was so quiet that I turned to see what he was thinking. I could see my face in his eyes, we were standing that close. He laid his hand on my cheek, and I thought he’d tell me again that he loved me, and then I’d have to tell him I loved him, because I did, and that would be the end of it; and I didn’t know if I loved him or hated him more for being able to do that to me. But he just barely touched me, and he said “Live forever, Corinna, if you want to.” And then he pulled his hand back as if my skin had burned him, and he went away.
--Joanna Hoyt
Sunday, June 27, 2010
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7 comments:
I like this. It seems so silly to end with someone when you really like them, but she's just not ready yet. And yes, I can empathise from way, way back in my youth!
This invokes a haunting and sad mood. I like that.
A suggestion:
Whatever this sentence meant in your mind -- It was this time of year... it doesn't mean in my mind. In fact, it makes no sense to me at all and it gets in the way of the very good spring/fall metaphor. I would delete it.
This sentence needs to be split up: But it was fall, and I thought how there were so many things I could do, and so little time; and if I married him that would be part of all the rest of my time, would change what I could do, make some things real and cut some things off; and how could I be sure that was what I wanted?
I know what you want to say but this isn't working. It's huge and way too convoluted. Make it clearer.
I think that the next two sentences work to confuse the reader:
For all my life? And I did want it, and that made me afraid. I just stood there and looked away from him, because I couldn’t stand looking at him.
These are heartbreaking sentiments that need clarity.
I was afraid and couldn't admit it."
Do you see how that simple sentence acts to punctuate what comes before? She turns away so he can't see her eyes and know just how afraid she is.
In the second paragraph when you say (three words in) "he was" I think that you might be able to foreshadow his ultimate reaction. how about something like:
"He stood silent. So silent that my heart skipped a beat."
Thanks, fairyhedgehog!
Yeah, the 'this time of year' sentence is confusing without context. This scene is part of a story-within-a -story, being told to the MC; the time of year of the main story action would be clear by the time you got here. Thanksd for the tip on the convolutes sentence. I struggle with how far I can go with voice (the speaker is a bit overwrought and self-absorbed) without losing the reader; sounds as though I crossed the line here.
I actually did mean several different things in "I just stood there and looked away from him, because I couldn’t stand looking at him.'; need to think about whether that's overkill too.
This is really beautiful, made even better by his reaction. Please tell me they wind up together in the end!
A few changes:
He really thought I’d say yes. And I might have done. It was this time of year.
to
I might have said yes.
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I don't see how it being fall influences her decision.
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In the first paragraph, the part where she's reasoning, a little more clarity would help.
Dear Joanna,
I'd delete "It was this time of year."
I wouldn't say overkill, just set it aside for a bit then tidy it up. Your muse flowed on the page, rein it back a bit and you've got it.
Fall, the dying time, days are short. The last dance is over, she's composing her swan song.
Hope you'll resubmit this. Bibi
Ditto on the question of why it would be different in the spring. Really interesting characters and setup. Mostly just wondering how important this scene is in the book; might be nice to see it played out more, instead of a straight telling. It's hard to tell out of context, of course.
Dear Mother Re,
Spring is the coming alive/birthing time. From what I've read. Summer is maturity, fall, dying, winter brrrrh death. She's facing her mortality, I think. Bibi
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